How do you imagine Heimstone's prints?
ALIX: I have a great sensitivity to colour, and that's usually the starting point for any print: a desire to mix colours together, and then I imagine a pattern to bring it all out.
What is the house's iconic model?
ALIX: There's the Eren coat, our Japanese Kimono-inspired, oversized coat that goes with everything and makes every outfit a little more daring yet timeless.
We also have the Java dress and Doll trousers, which have been our icons for 10 years now, and they haven't aged a day!
Heimstone is really an extension of myself in terms of style, there are no filters, no strategy between what's in my head and my collections! It's really a free expression of my ideas and my vision, which is really nice.
What are your earliest memories of clothes?
ALIX: More than memories of clothes, I have memories of textiles, colours and fabrics. We were lucky enough to travel a lot as children, and my mother, being an interior designer, always took us to all the museums, art galleries and markets. I remember my first time in Morocco, where I was literally fascinated by the Kilim carpets, the richness of the colours and materials, all mixed with the Moroccan sun, the red earth and the luminosity of the landscapes.
What role does vintage play in your creative process?
ALIX: Vintage also means bringing out clothes you haven't worn in a long time, your parents' jackets, the clothes you've always wanted to wear, jewelry too. I'm all for sorting, but it's so magical to keep iconic pieces to pass on to future generations.